Sunday, September 9, 2007

Ang Lee Helms Venice Festival Upset

Raunchy Ang Lee film wins Venice festival's top award
Richard Brooks, Arts Editor

A sexually explicit film by the former Oscar winner Ang Lee won the coveted Golden Lion top prize at the Venice film festival last night. Lust, Caution is a Mandarin language espionage thriller which has already caused a stir with very graphic sex scenes.

Lee, who won the Golden Lion with Brokeback Mountain at Venice in 2005 before it went on to take Oscars, has argued that his film is “not pornography” although he did admit that it is not suitable for children.

The high hopes of many for the British film Atonement, starring Keira Knightley, were dashed, however — it won no awards.

There was some British success, including a prize for Paul Laverty, screenwriter for the Ken Loach film It’s a Free World.

Lee’s film, based on a novella by Eileen Chang, follows a Chinese woman in Japanese-occupied Shanghai during the second world war. She finds herself at the centre of a plot to seduce and kill a married enemy collaborator.

In America, where the film opens later this month, Lust, Caution has been given the NC17 rating. This can sometimes lead to only a limited release because many American cinema chains refuse to show such adult-only films for fear of putting off families.

The film also contains some violent scenes, especially one in which students stab and bludgeon a man to death graphically. It has already been announced that some of the sex scenes will be removed for the film’s release in China.

Lee is now acknowledged as one of the best and most versatile directors in the world. His output varies from Sense and Sensibility, based on the Emma Thompson screenplay of the Jane Austen novel, to The Ice Storm, a Hollywood story of suburban sexual politics. Other Venice winners include Cate Blanchett for her role as the young Bob Dylan in I’m Not There.


Ang Lee Film Wins Golden Lion at Venice Festival
By Iain Millar

Sept. 8 (Bloomberg) -- Ang Lee's Lust, Caution, an erotic thriller set in 1940s Shanghai, won the Golden Lion top prize at the Venice Film Festival, closing the 64th competition.

I'm Not There, a U.S. movie directed by Todd Haynes and inspired by Bob Dylan, and La Graine et le Mulet, a French film by Abdellatif Kechiche, shared the Special Jury Prize.

Accepting the award, Lee paid homage to Swedish director Ingmar Bergman, who died on July 30. ``When I was in preproduction, I visited Ingmar Bergman on his island,'' Lee said. ``He touched my face liked a mother touches a child. He hugged me. Tonight, I pass that hug to you.''

Brian De Palma was voted best director for Redacted, which is about the conflict in Iraq. "Prizes are always great because it helps your film to be seen,'' De Palma said. "But critics and prizes just tell you what the fashion of the day is. We don't make movies to win prizes.''

The award for best actor went to Brad Pitt for his performance in The Assassination of Jesse James by the Coward Robert Ford, directed by Andrew Dominik. Cate Blanchett won the best actress prize for her role in I'm Not There.

"Cate turned what could have been a stunt into a compelling performance,'' director Haynes said.

Paul Laverty won the award for best script for It's a Free World' by Ken Loach, and Italian director Bernardo Bertolucci was presented with a special Golden Lion for his career. The seven- member jury was headed by Chinese filmmaker Zhang Yimou.

In this year's festival, 23 films vied for the Golden Lion, which last year went to Still Life' by the Chinese director Jia Zhang-Ke. Veteran French filmmaker Alain Resnais won the Silver Lion for best director in 2006 for Private Fears in Private Places.

The first Venice Film Festival was held in 1932. Among the earliest prize winners were directors Rene Clair and Rouben Mamoulian and actors Frederic March and Helen Hayes.

(Iain Millar is a critic for Bloomberg News. The opinions expressed are his own.)

Saturday, September 8, 2007

Hungary Selects 'Taxidermia' Academy Award Entry

LONDON (Hollywood Reporter) - Taxidermia, a controversial Hungarian film that both shocked and delighted critics and audiences when it premiered in Budapest last year, has been chosen as the Central European country's nomination for best foreign-language Oscar.
Gyorgy Palfi's second feature is a strange and disturbing parableAbout post-World War II Hungarian history featuring graphic representations of masturbation, overeating in the name of competitive Olympic "speed eating" and a shocking conclusion in which a man performs machine-assisted taxidermy on himself.
Taxidermia was the main prize winner at last year's Hungarian Film Week, and its world premiere came as part of Cannes' Un Certain Regard sidebar that same year.
Produced by Budapest-based Eurofilm Studio, headed by Peter Miskolczi and Gabor Varadi, the film also has picked up awards at the Chicago and Antalya Eurasia film festivals.The film, which is handled for world sales by Netherland's Fortissimo Films, has seen theatrical releases in parts of Europe and the U.K., with releases in the United States, the Far East and Middle East planned soon, Hungarian film body Filmunio said Thursday.

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Oscar-winner Miyoshi Umeki dead at 78

TOKYO (Hollywood Reporter) -- Miyoshi Umeki, the first Asian to win an Oscar, died Aug. 28 at a nursing home in Licking, Mo. She was 78.
Umeki won the Academy Award for best supporting actress in 1957 after playing opposite Red Buttons in Sayonara, the screen version of the James Michener novel about a U.S. soldier who falls in love amid the chaos at the end of World War II.
Fated to be parted when he is ordered to return to the U.S., the pair commits suicide.
"This is a major loss to the Japanese movie industry," said Yuko Nakano, a spokeswoman for the Motion Pictures Producers Association of Japan.
Born in the northern city of Otaru in 1929, Umeki began her performing career by singing jazz numbers at military camps during the occupation.
After spells on radio and TV in Japan, she moved to the United States in 1955, when she quickly caught the attention of Sayonara director Joshua Logan.
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Thursday, September 6, 2007

Germany selects finalists for entry at Academy Awards


German Films, the German film commission, today announced the seven German films that will compete for the country’s entry for the 80th Academy Award for the Best Foreign Language Film.
My early favorite for the German entry is Vier Minuten. The film won the Lola for best film in Germany this summer. The media and public have raved and everything I’ve read or seen about the film looks amazing.
A nine-person independent expert jury with representatives from the most important associations of the German film industry will decide after viewing the seven films which of them will be sent into the Oscar race for Germany.
The films are:
AND ALONG COME TOURISTS (AM ENDE KOMMEN TOURISTEN) by Robert Thalheim (23/5 Filmproduktion, Berlin)
THE EDGE OF HEAVEN (AUF DER ANDEREN SEITE) by Fatih Akin (corazón international, Hamburg)
THE HOUSE OF THE SLEEPING BEAUTIES (DAS HAUS DER SCHLAFENDEN SCHOENEN) by Vadim Glowna (Atossa Film Produktion, Berlin)
MY FUEHRER - THE REALLY TRUEST TRUTH ABOUT ADOLF HITLER (MEIN FUEHRER – DIE WIRKLICH WAHRSTE WAHRHEIT UEBER ADOLF HITLER) by Dani Levy (X Filme Creative Pool, Berlin)
STRIKE (STRAJK – DIE HELDIN VON DANZIG) by Volker Schloendorff (Provobis, Gesellschaft für Film und Fernsehen, Berlin)
FOUR MINUTES (VIER MINUTEN) by Chris Kraus (Kordes & Kordes Film, Berlin)
WINTER JOURNEY (WINTERREISE) by Hans Steinbichler (d.i.e. film, Munich)
The result will be made known by GERMAN FILMS on September 18 and must be submitted to the Academy in Los Angeles by October 1 at the latest.
The names of the selection jury have been published at www.german-films.de, German Films & the Academy Awards.

Tuesday, September 4, 2007

In the Pit, 2006, directed by Juan Carlos Rulfo, Mexico
Monumental in scope -- and requiring Herculean toil -- Mexico City's Periférico freeway construction project employs hundreds of workers, a group as diverse as the myriad motorists who zip by the building site. Documentarian Juan Carlos Rulfo captures the laborers on the job -- and in moments of well-deserved repose -- as they strive to complete the ambitious structure, a project that ultimately reflects all human endeavor.

Ping Pong, 2002, directed by Fumihiko Sori, Japan
Starring Yosuke Kubozuka (Go, Laundry) & Naoto Takenaka (Shall We Dance). Two high school students, complete opposites, compete in an extreme sport version of ping pong. The eye popping special effects have been compared to The Matrix.

Sunday, September 2, 2007

Reggio Emilia Announces Competitors

Reggio Film Festival 2007 has announced the entrants to its short movies competition for the sections Women (Donne) and Open (Spazio Libero) categories. The list is now online at http://www.reggiofilmfestival.com/.
The short movies Spazio Libero competing for the 2007 Festival will be screened in loop in some spots of Reggio Emilia (libraries, book shops, museums, pubs and bar) from September 17 to 23.
The public can vote for the favorite movie using the cards placed on the stands next to the "Punto Corto" spots. The most voted movies will be shown on September 29, the final day of ReggioFilmFestival.
There are 28 Italian, two German, and two American shorts competing in the Open Category.
The short movies included in the section Donne will be shown at Cinema Al Corso from September 27 to 29.
Therea are 19 Italian, three German and two American shorts in the Donne category.
The programme of events and projections will be available soon.
For any further information and hotel agreements please check on our site http://www.reggiofilmfestival.com/.

Friday, August 31, 2007

This Just In: New DVD Releases


Antibodies (Antikörper) 2005, directed by Christian Alvart, Germany
After confessed killer Gabriel Engel (André Hennicke) is captured, small-town cop Michael Martens (Wotan Wilke Möhring) interrogates him, hoping a journey into the madman's twisted mind will give clues to an unsolved murder committed in the same heinous manner as Gabriel's crimes. Gabriel claims to know the killer's identity but turns the investigation into a psychological game, leaving Michael questioning his own sanity in this German thriller.

Flower and Snake '74 (Hana to hebi), 1974, directed by Masaru Konuma, Japan
Frustrated by his lackluster sex life, businessman Senzô Tôyama (Nagatoshi Sakamoto) conspires to have one of his employees (Yasuhiko Ishizu) -- a sex shop owner's son -- kidnap Senzô's frigid spouse (Naomi Tani) and train her as a sexual submissive. But the domineering industrialist gets more than he bargained for in director Masaru Konuma's erotic, adults-only tale that explores the boundaries between sexual pleasure and perversion.

Great African Films: Vol. 1: Faraw! Mother of the Dunes, 1997, directed by Abdoulaye Ascofare
Director Abdoulaye Ascofare's drama follows Zamiatou (Aminata Ousmane), a mother who struggles to support her family in the wake of her husband's unjust incarceration. Life is already difficult in the desolate desert of Mali in Africa, but when her husband returns from prison a mentally and physically reduced man, Zamiatou will do anything to keep her two sons and daughter alive.

Great African Films: Vol. 2: Sia, the Dream of the Python (Sia, le rêve du python), 2004, directed by Dani Kouyaté
Dani Kouyaté's visually stunning film is an adaptation of a seventh-century African legend about a woman chosen as a sacrifice to a snake god to save a destitute village. The emperor picks the beautiful virgin Sia (Fatoumata Diawara) but no one tells her fiancé, Mamadi (Ibrahim Baba Cissé), about his lover's fate. Kerfa, a government leader with plans to oust the emperor, helps Sia and Mamadi, but can she live with being known as a traitor?

Great African Films: Vol. 2: Tasuma, The Fighter, 2004, directed by Daniel Kollo Sanou
In Daniel Kollo Sanou's comedy, Sogo (Mamadou Zerbo), a West African World War II vet, purchases a mill on credit believing he'd get paid his due pension. But when the money doesn't come through, Sogo finds himself in jail for not being able to pay off the mill. Having already waited over 50 years for his pension, Sogo joins in with the local women who come to his side in support.

Horrors of Malformed Men (Edogawa ranpo taizen: Kyofu kikei ningen), 1969, directed by Teruo Ishii, Japan
A medical student searching for his father discovers a deranged scientist on a remote island whose experiments combine humans and animals to produce terrifying creatures in this surreal and horrifying tale. The student soon unearths disturbing facts that link him to some appalling truths. Adapted from stories by horror author Rampo Edogawa and directed by Japanese exploitation auteur Teruo Ishii, the film remains banned in its native Japan.

Over at the Big Ranch (Allá En El Rancho Grande), 1936, directed by Fernando de Fuentes, Mexico
Poor ranch hand José Francisco (Tito Guízar) falls in love with homely girl turned beauty Cruz (Esther Fernández). Unfortunately, his boss, rancher Felipe (René Cardona), also adores her, and the resulting love triangle threatens José's job and their friendship. Director Fernando de Fuentes's romance launched the comedia ranchera genre, which combines Mexican folklore with musical comedy and melodrama.

Samba (Szamba ), 1996, directed by Róbert Koltai, Hungary
Larger-than-life Ottó Szamba (Róbert Koltai) is a theater actor in his small Hungarian village. Everyone in town loves him -- except his son Ottó Jr. (László Görög), who's so embarrassed by his hammy father that he shuns the stage. But when he enters college, the younger Ottó discovers he can't escape the acting bug. Koltai co-wrote and directed this satire on small-town attitudes and big-time egos, co-starring Éva Kerekes and Judit Pogány.

Snake Woman's Curse (Kaidan hebi-onna), 1968, directed by Nobuo Nakagawa, Japan
When a wealthy landlord causes the death of a poor farmer, enslaves the man's wife and daughter, and then kills a snake the wife was protecting, he unleashes the serpent's curse. Before long, the landlord finds himself being driven mad by deathly spirits as terrible misfortune rains down on his family -- including his son, whose young bride starts growing scales and green skin in this film from Japanese horror auteur Nobuo Nakagawa.

The Beautiful Washing Machine (Mei li de xi yi ji), 2004, directed by James Lee, Indonesia
Teoh's (Loh Bok Lai) secondhand washing machine has a personality as strong as that of his ex-girlfriend. After exploiting the temperamental appliance, Teoh sells her to the Wongs, whose son (Berg Lee) develops an attachment to her that causes a rift in his family. Teoh Kah Yong co-stars in writer-director James Lee's award-winning surrealist satire that's drawn comparisons with the work of visionaries such as Luis Buñuel and Jim Jarmusch.